Annotations for Context: Modality

Kenton goes on to explain that municipalities create a master plan and petition the City into neighborhoods and districts. Different rules will apply to different petitions in order to achieve goals such as creating certain types of living space for residents or promoting economic development. A crude example would be that you can't build an oil refinery in a residential neighborhood, but a more subtle example would be that certain neighborhoods are only for single-family homes with yards, not apartment buildings. --- This passage entirely uses logos to give details of how zoning works to provide a foundation for the proposal.

Turning to the City of Austin specifically, the City is divided into what are called base districts. There are 16 of these, which fall into basic categories such as single-family only or medium-density apartments. However, there are huge complexities within this through the use of what are called overlays --- Logos continues to be used in this passage as the general description of zoning is applied to the City of Austin.

These can get quite specific. For example, there is a Capitol View overlay district, which preserves views of the Capitol Dome by limiting the height of buildings along certain corridors. There are also specific overlays to preserve the character of historic districts, such as Aldrich Place, which is north of the University in the City of Austin. Logos continues to be used as the details of how zoning works in Austin are described.

Bach's Toccata and Fugue, often associated with horror, depicts an impending doom- one that accompanies the start of urban renewal.

Jodie Nicotra provides the academic definition of 'rhetoric'. In many ways, rhetoric acts in a set of modes- here, one audio, one writing. This annotation is a mode- this audio is another.